projects
upcoming
weep chimera fold gest ha ha hand(s) spoiled cob falls cwtch stewy meadow teach undersite osmós the universal particle accelerator joint red butterfly phobia
2024
Henriette Leinfellner (Austria)
Paul Gough (UK)
Greg Creek (Australia)
Drawing Trialogues (a Collaboration)
An artist-initated collaborative drawing project between artists. 7 words a 3 artists so 21 drawings each and 63 in total.
HL: Chimera
GC: Chimera
PG: Chimera
HL: Fold
GC: Fold
GC: Ösmos
archive
Carolyn Eskdale
lonquists’ back room
(inhabitation procedure)
milled timber from salvaged Deodar Cedar tree (The Patch, Monbulk), reconstructed interior from salvaged sleep out (Alphington), salvaged tree trunks (Alphington)
installed size variable
10 June - 25 June, 2023
‘Lonquists’ back room’ is the reconstruction and adjustment of a demolished 1970s addiction to a suburban weatherboard home.
It comprises various elements; the salvaged, reconstructed and adjusted lean-to built onto the rear verandah of the Lonquist family home, a timber framework milled from a single salvaged suburban tree that creates the support for the linings and materials of the back room, salvaged trunks of Lonquists’ still-living front garden trees, and the residual disassembled fixtures, linings, window and door fittings and fragments.
The room is subject to inhabitation procedures over time, including remaking spatial pathways, interventions and insertions into its architecture and surfaces, archiving and documentation.
Carolyn Eskdale
‘After Dialogues’ (Bundanon)
L-R‘ ‘bench work’, ‘table work’ room work’, photowork’
Installed size variable
1 November - 3 November, 2022
‘‘Memory Procedures’ is an artist-stdio preview of a the work commissioned for the exhibition ‘‘Inside/ Underground’ as part of the SiteWorks program held at Bundanon Museum, NSW, 26 Nov 2022 - 12 March, 2023.
The work comprises four elements that define and structure the viewer’s experience of space and perception, working in tension with architectural sites as a context and reference. The work/s place the viewer in continual dialogue with processes of transformation and reconstruction of actual, remembered, and imagined actions.
In ‘after dialogues’ she presents a group of four connected 'works' that respond to her inhabitation/experience of Bundanon sites in correspondence with where she lives in Alphington in Victoria.
Commissioned by Bundanon for World Weather Network.
Eskdale talks here about the Bundanon installation: LINK